Native american literature is rooted in oral tradition and stories were passed down. Myths discussed beliefs about the origin and nature of the physical world, social order, appropriate behavior, human nature, as well as good and evil. Oral literature was often characterized by repetition and ritual. Archetypes were common in these stories as good. Evil was represented often with characters like a mother goddess, an old man, a trickster, water, fire, celestial elements, etc. Outside reading Assignment: over the first 3 weeks of this course, you will read Nathaniel Hawthornes novel, The Scarlet Letter, in addition to the reading assignments I will list on each days work. Today you will receive a reading assignment and a related work assignment.
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You will be studying terminology related to the historical context of the period we are discussing as well as literary terminology. Record these words and their definitions in your notes. Click on each term and summarize its definition so you have a clear understanding of its meaning: narrative, archetype, myth, oral tradition reading* Always take notes as you complete your readings, keeping in mind upcoming tests and writing assignments. This is a literature survey course. We are looking at individual authors homework and their works, but also at the big picture in literary movements and their historical context. Read about Native american Oral Literature. Read the Onondaga tribes story, the earth for on Turtles Back. Read the modoc tribes story, when Grizzlies Walked Upright. Read the The navajo Origin Legend. Complete the native american Myths Handout. What makes these myths (and others like them) essential to American Literature?
Plays: Trifles (Glaspell letters/Essays/Speeches: to the right Honourable william, earl of Dartmouth (Wheatley sinners in the hands of an Angry god (Edwards give me liberty or give me death (Henry gettysburg Address (Lincoln i am alone (I am the last of my family) (Cochise. (Truth solitude of Self (Stanton Is it a crime for a citizen of the United States to vote? (Anthony the negro Artist and The racial mountain (Hughes i have a dream (King letter from a birmingham jail (King). Novels: The Scarlet Letter (Hawthorne the red Badge of courage (Crane my antonia (Cather to kill a mockingbird (lee selected readings: Of Plymouth Plantation(Bradford a model of Christian blood Charity (Winthrop The autobiography of Benjamin Franklin (Franklin The Crisis (Paine nature (Emerson self-Reliance (Emerson solitude (Thoreau. Day 1 unit: The colonial and Early national Period (Beginnings-1830) Print out your, grading Sheet for the first quarter or use the Excel version. Vocabulary keep a vocabulary notebook and/or note cards for terms you will be learning about. You will have bi-weekly vocabulary quizzes throughout the course and vocabulary words will appear on your unit tests.
Reading List: In order to make this course more complete, we had to choose at least one more recent novel. . due to copyright laws and public domain access, this one book will not be available online for free, although you can search for a pdf of it online which you might be able to find. To kill a mockingbird by harper lee will start on day. This book will need to be obtained by some method: pdf online, kindle purchase, the local library, or used bookstore. Mass Market Paperback version is inexpensive. Short Stories: The earth on Turtles Back (Onondaga when Grizzlies Walked Upright (Modoc navajo Origin Legend, young goodman Brown (Hawthorne the legend of Sleepy hollow (Irving rip Van Winkle (Irving The fall of the house of Usher (poe the celebrated Jumping Frog of Calaveras county. Poetry: to my dear and loving Husband (Bradstreet Prologue (Bradstreet huswifery (Taylor Thanatopsis (Bryant Old Ironsides (Holmes The tide rises, the tide falls (Longfellow a psalm of Life (Longfellow Stanzas on Freedom (Lowell The raven (poe the tell-Tale heart (poe annabel lee (poe i hear.
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The writing in Responses to literature stanford should: show that they understand the main character(s) and the plot of the text show that they understand the overall meaning or message of the piece share their feelings, judgment, opinions, or evaluation based on careful. Each Response to literature should be at least 250 words in length. The entries should be graded out. You will find. Writing Rubric: Writing a response to literature here. If students are not already using an ad blocker, Id recommend installing one to prevent distractions and any mistaken clicks on ads appearing on sites we will be using.
Quizzes/Tests : There will be a few quizzes throughout the course on specific readings. Every 10 days students will have a vocabulary quiz (matching). At the end of each quarter (45 days there will be a test. In addition to questions about readings, literary periods, and terminology, the tests will have a vocabulary matching section. You should study your quizzes in preparation for your quarterly exams. The final exam will not be cumulative.
You can contact her through the. Facebook community group with questions. Please review the faqs and contact us if you find a problem. Credits: 1, recommended: 10th, 11th, 12th (This is typically the 11th grade course.). Prerequisite: Literature and Composition, This follows British Literature and Composition in the progression, but it can be taken without having completed the other.
Test Prep: American Literature clep, course description: Students will receive an overview of American literature from the founding of the nation to contemporary pieces. Literary study will be infused with historical applications for a better understanding of the social and historical context of the readings. Literary terms and elements of poetry will be discussed throughout this course. Vocabulary will include literary terminology as well as general terminology important for high school students to learn. Grammar instruction will be given through various writing assignments. Writing assignments will include responses to literature journal entries, a reflective essay, a poetry Explication Essay, a rhetorical Analysis, a persuasive research paper, and a final writing project with a literary Analysis. Students will have a few novels assigned for outside class reading. Chapters will be selected and assignments given with a deadline of the end of the week. This will help students practice meeting deadlines and it will help us move through more of the literature available.
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And yet the most exciting component apart all from the. Stagecoach restoration itself is something else by john Ford: a 54-minute silent comedy-western from 1917, bucking Broadway. This was made the year Ford started directing (at age 23 yet the work is both fresh with discovery and remarkably assured. Already it has the look of a ford picture, as in an early sequence of horsemen gathering, surging up hillsides, crossing a creek, and then (anticipating the first shot. Stagecoach!) breaking into view from behind a roll of land we didn't even realize was there. The playing is relaxed, natural; there's hardly anything "silent movie" about it except that you can't hear their voices. Ford even kids about sentimentality (something he would often be charged with in later years) with a scene of crusty cowpokes getting blubbery over the song "Home Sweet Home." And in the final reel, as hero Cheyenne harry (Harry carey) arrives in New York city. Picture-man John Ford had arrived, ready for work. This course was created by rebecca Epperly wire.
portraits of Ford and John wayne, and Tag Gallagher with a video essay, "Dreaming of jeannie." Gallagher sketches. Stagecoach 's aptness as a reflection of post-Depression America and then, with acute sensitivity to the particulars of Ford's style, analyzes key passages. He illuminates the director's genius for exploring inner reality through spatial dynamics, and persuasively demonstrates that "Ford wants us to empathize with people, not to ally against them to see without intolerance." Ford himself is heard from in a 72-minute interview conducted at his home. His grandson and biographer Dan Ford presents a quarter-hour of home movies of the director with trusted colleagues aboard his yacht. Araner, a home-away-from-home and means of escape from Hollywood yet often Dudley nichols would be turning out script pages somewhere on board. Stagecoach made monument Valley "John Ford country so it's right that the set should include a short history of the goulding family, who operated a trading post there, and their relationship with Ford and the navajo. There are also a (rather disappointing) tribute to yakima canutt, the fabled stuntman who played such a big part in executing the movie's famous chase across the salt flats; a 1949 radio dramatization. Stagecoach with wayne and Trevor re-creating their roles; a theatrical trailer; and a print essay by david cairns.
The results aren't pristine-dirt and damage remain visible at assignments times, noticeably during the opening credits-but mostly it's as though a cloud had lifted with the first break of sun over Monument Valley. Excellent feature-length audio commentary is supplied by film scholar Jim Kitses (. Horizons West who right up front challenges the notion that. Stagecoach lacks the nuance and complexity of later Ford masterworks. He also regrets that the picture is now known primarily as the vehicle that made john wayne an A-list star. It did that (and Kitses means no disrespect to the duke! but more essentially it's a triumph of the ensemble film, in which every character and performance is carefully developed and even more artfully enlarged by interplay with the others. Kitses also fervently contends that the film's protagonist is not wayne's Ringo kid but Dallas, the prostitute played by Claire Trevor.
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Product Description, this is where it all started. John Fords smash hit and enduring masterpiece red stagecoach revolutionized the western, elevating it from B movie to the a-list. The quintessential tale of a group of strangers thrown together into extraordinary circumstancestraveling a dangerous route from Arizona to new Mexicostagecoach features outstanding performances from Hollywood stalwarts Claire Trevor, john Carradine, thomas Mitchell, and, of course, john wayne, in his first starring role for Ford. Superbly shot and tightly edited, stagecoach (Fords first trip to monument Valley) is Hollywood storytelling at its finest. Additional features, stagecoach is the Platonic ideal of what a movie should be and do, and Criterion's dvd and Blu-ray release showcases its virtues with love and care. That begins with the digital restoration of a landmark film most of us have seen only via substandard prints and videos. Transferred from a 1942 nitrate dupe negative, the new disc restores director John Ford and cameraman Bert Glennon's images to their proper richness, clarity, and depth.